I show images of the cenotaph in the ISLET. In a catalog, I present examples of what the public face of the new Maiden's Tower may look like, as well as the lights and shadows of its interior —its walls, roofs and openings; moods, temperaments and humor. The body of the cenotaph will be engendered from the catalog.
I also show a movie about the reasons that make Bill laugh and cry. I parade the events that agitate the world and the jokes that challenge extreme points of view. I introduce Bill's friends and foes, and the intimate rituals and cycles that make him a harlequin and host. I present with existing scenographies, objects, subjects, actions, dialogues and sounds, Bill's way of bringing into proportion agitation and reason. In the movie, the absence of the last reason will be displayed.
With thousands of movies from PARADISO, its search instrument PANORAMAS OF CINEMA, and mood boards from PANORAMA APP, I qualify the architecture for Bill's home and stage in the Bosporus.
