S -1 WRITING

FINAL REVIEWS

ZOOM — ID : 672 0221 1114 HIB OPEN SPACE 2 TUESDAY / WEDNESDAY - 16th / 17th DECEMBER - 10:00 - 17:00 HRS

Guests: Agostino Nickl, Georg Fassl, Indre Umbrasaite, Jorge Orozco, Riccardo Villa, Toshikatsu Kiuchi, Vera Bühlmann

Hosted by: Ludger Hovestadt, Miro Roman, Adil Bokhari

Schedule:

S -1 / EPISODE 1:

ON TEXT

<| architecture → 1197, new → 647, form → 634, build → 559, city → 472, work → 450, design → 430, modern → 362, space → 349, mean → 332, use → 316, art → 316, architect → 308, time → 294, life → 290, architectural → 281, house → 269, theory → 261, way → 257, world → 249, place → 231, plan → 229, building → 228, make → 226, man → 226, order → 209, need → 205, material → 205, structure → 198, human → 188, nature → 187, long → 182, like → 182, process → 177, problem → 176, element → 175, post → 171, person → 170, think → 169, manifestoes → 169, source → 168, town → 164, system → 160, create → 160, idea → 160, urban → 159, principle → 153, good → 151, change → 148, environment → 142, great → 142, development → 141, function → 141, thing → 135, live → 131, sense → 131, point → 130, possible → 129, construction → 128, today → 128, culture → 127, come → 126, begin → 124, past → 124, extract → 124, say → 123, exist → 123, year → 121, condition → 117, give → 117, take → 116, technology → 116, history → 115, individual → 113, result → 112, know → 112, present → 112, experience → 110, object → 110, understand → 110, society → 108, age → 106, method → 105, social → 105, natural → 105, public → 104, group → 104, state → 104, value → 103, demand → 102, call → 100, different → 99, end → 99, light → 99, late → 99, century → 99, set → 98, bring → 98, base → 96, classical → 95 |>

“This is architecture.”

Hays, Architecture Theory since 1968

“Everything is architecture.”

Ockmann, Architecture Culture 1943–1968

“Architecture is the key to everything.”

Mallgrave, Modern Architectural Theory

“Our relationship with architecture is immediate.”

Morales, Differences

“Architecture today is world architecture.”

Schumacher, The Autopoiesis of Architecture Vol. 2

“Light is at the origin of everything in architecture.”

Acocella, Stone Architecture: Ancient and Modern Construction Skills

“What then is architecture?”

Benton, Sharp, Form and Function

“Architecture is an epistemological system.”

Preciado, Pornotopia: An Essay on Playboy’s Architecture and Biopolitics

“Architecture is political.”

Till, Architecture Depends

“All architecture is political architecture.”

Rakatansky, Tectonic Acts of Desire and Doubt

“In other words: all architecture is social architecture.”

Rakatansky, Tectonic Acts of Desire and Doubt

“Architecture is about power.”

Sudjic, The Edifice Complex

“Architecture is war.”

Jacobson, Slow Manifesto

“With Mies, architecture is never a monument.”

Morales, Differences

“I have always believed that there is more to architecture than architecture.”

Rogers, A Place for All People

“Architecture is very broad.”

Rogers, A Place for All People

“Bigness is the last bastion of architecture — a contraction, a hyper architecture.”

Koolhaas, S, M, L, XL

“It is X-ray architecture.”

Colomina, X-ray Architecture

“This is the architecture of forgetting.”

Evans, Translations from Drawing to Building and Other Essays

“Architecture is plastic invention, is intellectual speculation, is higher mathematics.”

Witt, Formulations: Architecture, Mathematics, Culture

“Architecture is not innocent.”

Sykes, Constructing A New Agenda

“The architecture is fresh, but empty.”

Koolhaas, Elements of Architecture

MANIFESTO

THE PLAY

A FACE, A RITUAL, THAT TALKS AND SINGS, IN PUBLIC ABOUT LOcality

ABOUT ARTICULATING IDENTITY, SECRECY, BRANDING, MASK, THEATRE, RITUALS, FORMS

WHERE IS IT, AND WHO ARE ITS FRIENDS and guests?

A) CONCEPTUALISE THE FACE OF THIS manifesto.

B) DEVELOP its RITUALS.

C) WHAT DOES it WANT TO SAY TO THE WORLD?

D) WHICH CONCEPTS IT WANTS TO EXPOSE?

THE STAGE

A BODY, A CONSTITUTION, THAT THINKS AND PLAYS, IN PRIVATE ABOUT GLOBALITY

ABOUT FORGETTING INFRASTRUCTURE, URBANISM, MIGRATION, SUSTAINABILITY, MARKETING, ANALYSIS

WHAT IS IT, AND WHO ARE ITS ENEMIES, who is not invited?

A) CONCEPTUALISE THE BODY FOR THE manifesto.

B) DEVELOP its CONSTITUTION.

C) HOW DOES it WANT TO LIVE?

D) WHICH CONCEPTS IT WANTS TO EXPLORE?

You, ALICE_ch3n81 and ChatGPT

WRITE TOGETHER WITH PROMINENT ARCHITECTS, PHILOSOPHERS AND SCIENTISTS.

WRITE BY TALKING TO MORE THAN 1000 BOOKS.

WRITE IN SOMEONE ELSE’S TERMS.

S -1 / EPISODE 2:

on images

Writing SHOW(S)

TEXTUAL FIGURES MEET FIGURAL IMAGES

THE manifesto CASTS A GAZE WITH AFFECTION

I color the talks, LOVES, FRIENDSHIPS, DESIRES, that travel with the winds With thousands of images. I present examples of how the public face of the building may look––its colors, proportions and materials––as well as the interior elements––its walls, ceilings and openings. From the panoramas, the body of the building will be engendered.

I SHOW A MOVIE OF, FROM, BY THE OBSERVATORY with existing scenographies, props, actors, customs, actions, dialogues, and sounds. my movie will discuss the face of the observatory.

With thousands of movies from PARADIS🍅, the search instruments PANORAMAS OF CINEMA🍿, 🔘Search 0more and mark🖍, images from diffusion models, and panoramas from PANORAMA🎛APP, I qualify my architectural intervention in SHENZHEN.

S -1 / EPISODE 3:

on models

Writing PLAY(S)

AN ARCHITECTONIC stagePLAY


ON THE manifestation OF THE manifesto

ON THE locations OF THE projections

ON THE enactment of THE affairs

where are we?

what time is it?

where should i look?

how do you live?

how are we talking?

of fables, of myths, of desires;

of spectacles, of monuments, of icons;

of spirals, of lines, of moments;

I LOCATE THE TALKS, THE MOODS, AND THE COLOURS;

I STAGE THE RITUALS, THE GAMES, AND THE SCENES;

I PLAY THE SCALES, THE RHYTHMS, AND THE FACADES.

the Sculpted Face in the city;

the PAINTED RITUALS of the formats;

the ASSMBLED BODY of the Persona;

THE contracts BETWEEN inside and outside, TEXT AND IMAGE, HEARING AND SEEING, GRAVITY AND SKY ARE BEING SHAPED;

of sight, of sound, of intellect;

of composure, of corpus, of constitution;

of celbration, of humour, of life;

.
The stage is being conceived.

A PLAY IS PAINTED, ASSEMBLED, AND SCULPTED.

A PLAY OF SCREENS, OBJECTS, AND MATERIALS.

A PLAY WITH GAMES, MODELS, AND FORMATS.